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| Three X Sisters ： ウィキペディア英語版 |
The Three X Sisters were an American all-girl harmony singing trio, initially known as The Hamilton Sisters and Fordyce. They were on stage singing together as early as 1922,(【引用サイトリンク】title=Welcome to the new Myspace! ) and formed their trio in 1924, which was composed of Pearl Santos (née Hamilton) (1900–1978), Violet Hamilton (1908–1983) who were both from Cumberland, Maryland, and Jessie Fordyce (1905–2000). They were known on NBC radio as "radio's foremost harmony trio."(【引用サイトリンク】title=Reading Eagle - Google News Archive Search )Comparable female trios of the day were the Boswell Sisters, the Pickens Sisters, and The Andrews Sisters.==History and career==Pearl, Violet, and Jessie had individually all been fairly well known in their theater venues by 1914. Earlier, Pearl and Vi had individually sung in Cumberland, Maryland, theaters and won prizes for their song competition accomplishments. Jessie was on the Brooklyn, New York, vaudeville circuit and beyond - as a young child star 'Baby Helen', her stepping-stone success through songs, and vocal imitations that impressed the masses.Pearl Hamilton began her career on Broadway as early as 1917. Her roommate during this era was Joan Page, another 'Stars of the Future' entertainer/singer. The average salary in 1919 was $22.00 per week for the All Jazz Revue "chrous girls." Pearl started out as a soft shoe (ballet style) and high-kick dancer, and received positive dance reviews. The Hamiltons began their professional singing careers at the Haymarket Theatre in Chicago, Illinois. Some walk-on or cameo parts in silent films with Paramount Pictures showed their dancing talents. Violet had been chosen in 1926 by Paramount, exclusively, for a scene of her Charelston dance moves. Later references to this accompanied their radio singing career. In 1920, Pearl and Violet (Hamiltons), were part of the vocal chorus. A later addition was friend Jessie (Yule) Fordyce with the 'All Jazz Revue' showcase.Pearl and Violet started entertaining with the 'All Jazz Review', their first known performance, sponsored by Irons & Clamage and the Swear Club (a women's club) was reviewed by The Billboard on January 10, 1920. Pearl, "a tall, willowy girl, Is a dancing wonder" as her artistry in dance had become well known. The trio started out on Broadway and in vaudeville, with Helen Kane Schroeder, the original Boop-boop-a-Doop Girl. The trio did various song and dance acts, eventually settling for close harmony, which was associated with three-part harmony singing. The Hamilton Sisters and Fordyce earliest known performance together was at B.F. Keiths Theater in Syracuse, New York, on May 13, 1923. In 1924 they also toured in vaudeville, with Helen Schroeder and Anna Mae Wong. Pearl's harmony trio had the musicianship of the Raymond Fagan Orchestra;(【引用サイトリンク】title=The Montreal Gazette - Google News Archive Search ) a band compared to Paul Whiteman or the Vincent Lopez Orchestras. Pearl Hamilton met Ed Santos, who played trumpet with Fagan's band, and a year later they married in Rochester, New York. During early July 1925, The Hamilton Sisters and Jessie Fordyce were singing at the Eighty-First Street Theatre. In 1926, the trio toured with another popular all-girl act, Jerry and her Baby Grands, appearing together at the Palace Theater in New York. They also toured together in Canada.The Hamilton Sisters and Fordyce gained enough success to tour abroad. After they departed from "Stars of the Future" entertainment showcase, spring of 1927, their management, fronted by Ed Wolfe, had them tour Europe and the United Kingdom. They departed by airplane at a Long Island airport with the American portion of New York's Savoy Orpheans musical unit during the week of May 23, 1927. In the UK, they met up with American songwriters(【引用サイトリンク】title=Welcome to the new Myspace! ) Richard Rodgers and Lorenz Hart. They also spent time in the recording studio with Bert Ambrose, a British bandleader, musical director Caroll Gibbons, and violinist/director Reg Batton. They toured with the New York band and appeared on London and Manchester stages.On October 27, 1927, Harry Plunket Greene, Irish baritone tenor, wrote of the trio after an England performance "The Hamilton Sisters & Fordyce are just A1 as they are. I wouldn't interfere with them for anything. It's just perfect in its way. I do trust they leave things alone, not try to change."That November, the trio teamed up with Billy Mayerl, pianist, to do close harmonizing on Who You, That's Who?, and Zulu Wail. They first sang over radio airwaves while in England on the BBC.Pictures account for this, as reproduced in Santos, Glenn (1998) ''In Sweet Harmony: The Three X Sisters'', Apple Blossom Publishing, Library of Congress Catalog Card Number: 99-94889. The photograph session also included British bandleader Bert Ambrose of Ambrose & his Mayfair Orchestra. Also Richard Rogers and Lorenz Hart, American songwriters. Various recordings were made on HMV, Columbia, and RCA labels. Popular American tunes were "Blue Room", "My Heart Stood Still", and "Someone to Watch Over Me". The trios' return to America; departed England on December 10 for Paris. They sailed from Cherbourg, France (New York, Passenger Lists)(【引用サイトリンク】title=Ancestry.com - Redirect ) on the U.S.S. LeviathanSS Leviathan 1913 on Dec. 15, 1927 for New York City.When the popularity of the vaudeville showcase ''Playtime''(【引用サイトリンク】title=Images ) had become a real success, it attracted the attention of Broadway with ''Rain or Shine'' in early 1928.Jessie had the idea for ''Playtime''.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search ) The routine they did placed their on-stage performance alongside Joe Cook, comedian. The Hamiltons and Fordyce were so well received that the ''Playtime'' showcase was recommended to run on its own merit.The group's radio success started when the trio appeared in publicity photographs wearing eye masks, and capitalized on the new popularity of radio. Pearl needed to make a choice between investing in records, or concentrate on radio work. She chose to tour the US extensively, and sign with such sponsors as Ford, Chase and Sanborn, Best Foods, Tydol, Babbo, and others to pursue the radio career for her trio. A CBS Radio sponsor hired them, and they took a new stage name, "The Three X Sisters". In 1932, they were featured alongside other harmony trios in the November issue of Radio Digest Magazine. From October to December on the WABC-CBS radio program might find this scenario with the Three X Sisters at the 7:30pm time, followed by Connie Boswell at 7:45pm. They were also with ABC radio doing some cartoon scenario songs, appeared on the Eddie Cantor Show, harmonized the song "Those Eddie Cantor Eyes". Some radio transcribed tunes which they sang to identify the 1930s era in rhythm and the blues are "Old Clothes", "Good Times Coming", and "Still No Luck With You". By 1934 they were guests on ''The Nick Kenny Radio Hour'' and were performers/singers in part of the Nick Kenny (poet) scripted "Radio Scandals". They also introduced animation soundtrack songs over radio ariwaves. The voice-work they did for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )
The Three X Sisters were an American all-girl harmony singing trio, initially known as The Hamilton Sisters and Fordyce. They were on stage singing together as early as 1922,〔(【引用サイトリンク】title=Welcome to the new Myspace! )〕 and formed their trio in 1924, which was composed of Pearl Santos (née Hamilton) (1900–1978), Violet Hamilton (1908–1983) who were both from Cumberland, Maryland, and Jessie Fordyce (1905–2000). They were known on NBC radio as "radio's foremost harmony trio."〔(【引用サイトリンク】title=Reading Eagle - Google News Archive Search )〕
Comparable female trios of the day were the Boswell Sisters, the Pickens Sisters, and The Andrews Sisters.
==History and career==
Pearl, Violet, and Jessie had individually all been fairly well known in their theater venues by 1914. Earlier, Pearl and Vi had individually sung in Cumberland, Maryland, theaters and won prizes for their song competition accomplishments. Jessie was on the Brooklyn, New York, vaudeville circuit and beyond - as a young child star 'Baby Helen', her stepping-stone success through songs, and vocal imitations that impressed the masses.
Pearl Hamilton began her career on Broadway as early as 1917. Her roommate during this era was Joan Page, another 'Stars of the Future' entertainer/singer. The average salary in 1919 was $22.00 per week for the All Jazz Revue "chrous girls." Pearl started out as a soft shoe (ballet style) and high-kick dancer, and received positive dance reviews. The Hamiltons began their professional singing careers at the Haymarket Theatre in Chicago, Illinois. Some walk-on or cameo parts in silent films with Paramount Pictures showed their dancing talents. Violet had been chosen in 1926 by Paramount, exclusively, for a scene of her Charelston dance moves. Later references to this accompanied their radio singing career. In 1920, Pearl and Violet (Hamiltons), were part of the vocal chorus. A later addition was friend Jessie (Yule) Fordyce with the 'All Jazz Revue' showcase.
Pearl and Violet started entertaining with the 'All Jazz Review', their first known performance, sponsored by Irons & Clamage and the Swear Club (a women's club) was reviewed by The Billboard on January 10, 1920. Pearl, "a tall, willowy girl, Is a dancing wonder" as her artistry in dance had become well known. The trio started out on Broadway and in vaudeville, with Helen Kane〔 Schroeder, the original Boop-boop-a-Doop Girl. The trio did various song and dance acts, eventually settling for close harmony, which was associated with three-part harmony singing. The Hamilton Sisters and Fordyce earliest known performance together was at B.F. Keiths Theater in Syracuse, New York, on May 13, 1923. In 1924 they also toured in vaudeville, with Helen Schroeder and Anna Mae Wong. Pearl's harmony trio had the musicianship of the Raymond Fagan Orchestra;〔(【引用サイトリンク】title=The Montreal Gazette - Google News Archive Search )〕 a band compared to Paul Whiteman or the Vincent Lopez Orchestras. Pearl Hamilton met Ed Santos, who played trumpet with Fagan's band, and a year later they married in Rochester, New York. During early July 1925, The Hamilton Sisters and Jessie Fordyce were singing at the Eighty-First Street Theatre. In 1926, the trio toured with another popular all-girl act, Jerry and her Baby Grands, appearing together at the Palace Theater in New York. They also toured together in Canada.
The Hamilton Sisters and Fordyce gained enough success to tour abroad. After they departed from "Stars of the Future"〔 entertainment showcase, spring of 1927, their management, fronted by Ed Wolfe, had them tour Europe and the United Kingdom. They departed by airplane at a Long Island airport with the American portion of New York's Savoy Orpheans musical unit during the week of May 23, 1927.
In the UK, they met up with American songwriters〔(【引用サイトリンク】title=Welcome to the new Myspace! )〕 Richard Rodgers and Lorenz Hart. They also spent time in the recording studio with Bert Ambrose, a British bandleader, musical director Caroll Gibbons, and violinist/director Reg Batton. They toured with the New York band and appeared on London and Manchester stages.
On October 27, 1927, Harry Plunket Greene, Irish baritone tenor, wrote of the trio after an England performance "The Hamilton Sisters & Fordyce are just A1 as they are. I wouldn't interfere with them for anything. It's just perfect in its way. I do trust they leave things alone, not try to change."
That November, the trio teamed up with Billy Mayerl, pianist, to do close harmonizing on Who You, That's Who?, and Zulu Wail. They first sang over radio airwaves while in England on the BBC.〔Pictures account for this, as reproduced in Santos, Glenn (1998) ''In Sweet Harmony: The Three X Sisters'', Apple Blossom Publishing, Library of Congress Catalog Card Number: 99-94889. The photograph session also included British bandleader Bert Ambrose of Ambrose & his Mayfair Orchestra. Also Richard Rogers and Lorenz Hart, American songwriters. Various recordings were made on HMV, Columbia, and RCA labels. Popular American tunes were "Blue Room", "My Heart Stood Still", and "Someone to Watch Over Me".〕 The trios' return to America; departed England on December 10 for Paris. They sailed from Cherbourg, France (New York, Passenger Lists)〔(【引用サイトリンク】title=Ancestry.com - Redirect )〕 on the U.S.S. Leviathan〔SS Leviathan 1913〕 on Dec. 15, 1927 for New York City.
When the popularity of the vaudeville showcase ''Playtime''〔(【引用サイトリンク】title=Images )〕 had become a real success, it attracted the attention of Broadway with ''Rain or Shine'' in early 1928.
Jessie had the idea for ''Playtime''.〔(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )〕 The routine they did placed their on-stage performance alongside Joe Cook, comedian. The Hamiltons and Fordyce were so well received that the ''Playtime'' showcase was recommended to run on its own merit.
The group's radio success started when the trio appeared in publicity photographs wearing eye masks, and capitalized on the new popularity of radio. Pearl needed to make a choice between investing in records, or concentrate on radio work. She chose to tour the US extensively, and sign with such sponsors as Ford, Chase and Sanborn, Best Foods, Tydol, Babbo, and others to pursue the radio career for her trio. A CBS Radio sponsor hired them, and they took a new stage name, "The Three X Sisters". In 1932, they were featured alongside other harmony trios in the November issue of Radio Digest Magazine. From October to December on the WABC-CBS radio program might find this scenario with the Three X Sisters at the 7:30pm time, followed by Connie Boswell at 7:45pm. They were also with ABC radio doing some cartoon scenario songs, appeared on the Eddie Cantor Show, harmonized the song "Those Eddie Cantor Eyes". Some radio transcribed tunes which they sang to identify the 1930s era in rhythm and the blues are "Old Clothes", "Good Times Coming", and "Still No Luck With You". By 1934 they were guests on ''The Nick Kenny Radio Hour'' and were performers/singers in part of the Nick Kenny (poet) scripted "Radio Scandals". They also introduced animation soundtrack songs over radio ariwaves. The voice-work they did for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.〔(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )〕
抄文引用元・出典: フリー百科事典『 Who You, That's Who?, and Zulu Wail. They first sang over radio airwaves while in England on the BBC.Pictures account for this, as reproduced in Santos, Glenn (1998) ''In Sweet Harmony: The Three X Sisters'', Apple Blossom Publishing, Library of Congress Catalog Card Number: 99-94889. The photograph session also included British bandleader Bert Ambrose of Ambrose & his Mayfair Orchestra. Also Richard Rogers and Lorenz Hart, American songwriters. Various recordings were made on HMV, Columbia, and RCA labels. Popular American tunes were "Blue Room", "My Heart Stood Still", and "Someone to Watch Over Me". The trios' return to America; departed England on December 10 for Paris. They sailed from Cherbourg, France (New York, Passenger Lists)(【引用サイトリンク】title=Ancestry.com - Redirect ) on the U.S.S. LeviathanSS Leviathan 1913 on Dec. 15, 1927 for New York City.When the popularity of the vaudeville showcase ''Playtime''(【引用サイトリンク】title=Images ) had become a real success, it attracted the attention of Broadway with ''Rain or Shine'' in early 1928.Jessie had the idea for ''Playtime''.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search ) The routine they did placed their on-stage performance alongside Joe Cook, comedian. The Hamiltons and Fordyce were so well received that the ''Playtime'' showcase was recommended to run on its own merit.The group's radio success started when the trio appeared in publicity photographs wearing eye masks, and capitalized on the new popularity of radio. Pearl needed to make a choice between investing in records, or concentrate on radio work. She chose to tour the US extensively, and sign with such sponsors as Ford, Chase and Sanborn, Best Foods, Tydol, Babbo, and others to pursue the radio career for her trio. A CBS Radio sponsor hired them, and they took a new stage name, "The Three X Sisters". In 1932, they were featured alongside other harmony trios in the November issue of Radio Digest Magazine. From October to December on the WABC-CBS radio program might find this scenario with the Three X Sisters at the 7:30pm time, followed by Connie Boswell at 7:45pm. They were also with ABC radio doing some cartoon scenario songs, appeared on the Eddie Cantor Show, harmonized the song "Those Eddie Cantor Eyes". Some radio transcribed tunes which they sang to identify the 1930s era in rhythm and the blues are "Old Clothes", "Good Times Coming", and "Still No Luck With You". By 1934 they were guests on ''The Nick Kenny Radio Hour'' and were performers/singers in part of the Nick Kenny (poet) scripted "Radio Scandals". They also introduced animation soundtrack songs over radio ariwaves. The voice-work they did for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )">ウィキペディア（Wikipedia）』
■Who You, That's Who?, and Zulu Wail. They first sang over radio airwaves while in England on the BBC.Pictures account for this, as reproduced in Santos, Glenn (1998) ''In Sweet Harmony: The Three X Sisters'', Apple Blossom Publishing, Library of Congress Catalog Card Number: 99-94889. The photograph session also included British bandleader Bert Ambrose of Ambrose & his Mayfair Orchestra. Also Richard Rogers and Lorenz Hart, American songwriters. Various recordings were made on HMV, Columbia, and RCA labels. Popular American tunes were "Blue Room", "My Heart Stood Still", and "Someone to Watch Over Me". The trios' return to America; departed England on December 10 for Paris. They sailed from Cherbourg, France (New York, Passenger Lists)(【引用サイトリンク】title=Ancestry.com - Redirect ) on the U.S.S. LeviathanSS Leviathan 1913 on Dec. 15, 1927 for New York City.When the popularity of the vaudeville showcase ''Playtime''(【引用サイトリンク】title=Images ) had become a real success, it attracted the attention of Broadway with ''Rain or Shine'' in early 1928.Jessie had the idea for ''Playtime''.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search ) The routine they did placed their on-stage performance alongside Joe Cook, comedian. The Hamiltons and Fordyce were so well received that the ''Playtime'' showcase was recommended to run on its own merit.The group's radio success started when the trio appeared in publicity photographs wearing eye masks, and capitalized on the new popularity of radio. Pearl needed to make a choice between investing in records, or concentrate on radio work. She chose to tour the US extensively, and sign with such sponsors as Ford, Chase and Sanborn, Best Foods, Tydol, Babbo, and others to pursue the radio career for her trio. A CBS Radio sponsor hired them, and they took a new stage name, "The Three X Sisters". In 1932, they were featured alongside other harmony trios in the November issue of Radio Digest Magazine. From October to December on the WABC-CBS radio program might find this scenario with the Three X Sisters at the 7:30pm time, followed by Connie Boswell at 7:45pm. They were also with ABC radio doing some cartoon scenario songs, appeared on the Eddie Cantor Show, harmonized the song "Those Eddie Cantor Eyes". Some radio transcribed tunes which they sang to identify the 1930s era in rhythm and the blues are "Old Clothes", "Good Times Coming", and "Still No Luck With You". By 1934 they were guests on ''The Nick Kenny Radio Hour'' and were performers/singers in part of the Nick Kenny (poet) scripted "Radio Scandals". They also introduced animation soundtrack songs over radio ariwaves. The voice-work they did for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )">ウィキペディアで「The Three X Sisters were an American all-girl harmony singing trio, initially known as The Hamilton Sisters and Fordyce. They were on stage singing together as early as 1922,(【引用サイトリンク】title=Welcome to the new Myspace! ) and formed their trio in 1924, which was composed of Pearl Santos (née Hamilton) (1900–1978), Violet Hamilton (1908–1983) who were both from Cumberland, Maryland, and Jessie Fordyce (1905–2000). They were known on NBC radio as "radio's foremost harmony trio."(【引用サイトリンク】title=Reading Eagle - Google News Archive Search )Comparable female trios of the day were the Boswell Sisters, the Pickens Sisters, and The Andrews Sisters.==History and career==Pearl, Violet, and Jessie had individually all been fairly well known in their theater venues by 1914. Earlier, Pearl and Vi had individually sung in Cumberland, Maryland, theaters and won prizes for their song competition accomplishments. Jessie was on the Brooklyn, New York, vaudeville circuit and beyond - as a young child star 'Baby Helen', her stepping-stone success through songs, and vocal imitations that impressed the masses.Pearl Hamilton began her career on Broadway as early as 1917. Her roommate during this era was Joan Page, another 'Stars of the Future' entertainer/singer. The average salary in 1919 was $22.00 per week for the All Jazz Revue "chrous girls." Pearl started out as a soft shoe (ballet style) and high-kick dancer, and received positive dance reviews. The Hamiltons began their professional singing careers at the Haymarket Theatre in Chicago, Illinois. Some walk-on or cameo parts in silent films with Paramount Pictures showed their dancing talents. Violet had been chosen in 1926 by Paramount, exclusively, for a scene of her Charelston dance moves. Later references to this accompanied their radio singing career. In 1920, Pearl and Violet (Hamiltons), were part of the vocal chorus. A later addition was friend Jessie (Yule) Fordyce with the 'All Jazz Revue' showcase.Pearl and Violet started entertaining with the 'All Jazz Review', their first known performance, sponsored by Irons & Clamage and the Swear Club (a women's club) was reviewed by The Billboard on January 10, 1920. Pearl, "a tall, willowy girl, Is a dancing wonder" as her artistry in dance had become well known. The trio started out on Broadway and in vaudeville, with Helen Kane Schroeder, the original Boop-boop-a-Doop Girl. The trio did various song and dance acts, eventually settling for close harmony, which was associated with three-part harmony singing. The Hamilton Sisters and Fordyce earliest known performance together was at B.F. Keiths Theater in Syracuse, New York, on May 13, 1923. In 1924 they also toured in vaudeville, with Helen Schroeder and Anna Mae Wong. Pearl's harmony trio had the musicianship of the Raymond Fagan Orchestra;(【引用サイトリンク】title=The Montreal Gazette - Google News Archive Search ) a band compared to Paul Whiteman or the Vincent Lopez Orchestras. Pearl Hamilton met Ed Santos, who played trumpet with Fagan's band, and a year later they married in Rochester, New York. During early July 1925, The Hamilton Sisters and Jessie Fordyce were singing at the Eighty-First Street Theatre. In 1926, the trio toured with another popular all-girl act, Jerry and her Baby Grands, appearing together at the Palace Theater in New York. They also toured together in Canada.The Hamilton Sisters and Fordyce gained enough success to tour abroad. After they departed from "Stars of the Future" entertainment showcase, spring of 1927, their management, fronted by Ed Wolfe, had them tour Europe and the United Kingdom. They departed by airplane at a Long Island airport with the American portion of New York's Savoy Orpheans musical unit during the week of May 23, 1927. In the UK, they met up with American songwriters(【引用サイトリンク】title=Welcome to the new Myspace! ) Richard Rodgers and Lorenz Hart. They also spent time in the recording studio with Bert Ambrose, a British bandleader, musical director Caroll Gibbons, and violinist/director Reg Batton. They toured with the New York band and appeared on London and Manchester stages.On October 27, 1927, Harry Plunket Greene, Irish baritone tenor, wrote of the trio after an England performance "The Hamilton Sisters & Fordyce are just A1 as they are. I wouldn't interfere with them for anything. It's just perfect in its way. I do trust they leave things alone, not try to change."That November, the trio teamed up with Billy Mayerl, pianist, to do close harmonizing on Who You, That's Who?, and Zulu Wail. They first sang over radio airwaves while in England on the BBC.Pictures account for this, as reproduced in Santos, Glenn (1998) ''In Sweet Harmony: The Three X Sisters'', Apple Blossom Publishing, Library of Congress Catalog Card Number: 99-94889. The photograph session also included British bandleader Bert Ambrose of Ambrose & his Mayfair Orchestra. Also Richard Rogers and Lorenz Hart, American songwriters. Various recordings were made on HMV, Columbia, and RCA labels. Popular American tunes were "Blue Room", "My Heart Stood Still", and "Someone to Watch Over Me". The trios' return to America; departed England on December 10 for Paris. They sailed from Cherbourg, France (New York, Passenger Lists)(【引用サイトリンク】title=Ancestry.com - Redirect ) on the U.S.S. LeviathanSS Leviathan 1913 on Dec. 15, 1927 for New York City.When the popularity of the vaudeville showcase ''Playtime''(【引用サイトリンク】title=Images ) had become a real success, it attracted the attention of Broadway with ''Rain or Shine'' in early 1928.Jessie had the idea for ''Playtime''.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search ) The routine they did placed their on-stage performance alongside Joe Cook, comedian. The Hamiltons and Fordyce were so well received that the ''Playtime'' showcase was recommended to run on its own merit.The group's radio success started when the trio appeared in publicity photographs wearing eye masks, and capitalized on the new popularity of radio. Pearl needed to make a choice between investing in records, or concentrate on radio work. She chose to tour the US extensively, and sign with such sponsors as Ford, Chase and Sanborn, Best Foods, Tydol, Babbo, and others to pursue the radio career for her trio. A CBS Radio sponsor hired them, and they took a new stage name, "The Three X Sisters". In 1932, they were featured alongside other harmony trios in the November issue of Radio Digest Magazine. From October to December on the WABC-CBS radio program might find this scenario with the Three X Sisters at the 7:30pm time, followed by Connie Boswell at 7:45pm. They were also with ABC radio doing some cartoon scenario songs, appeared on the Eddie Cantor Show, harmonized the song "Those Eddie Cantor Eyes". Some radio transcribed tunes which they sang to identify the 1930s era in rhythm and the blues are "Old Clothes", "Good Times Coming", and "Still No Luck With You". By 1934 they were guests on ''The Nick Kenny Radio Hour'' and were performers/singers in part of the Nick Kenny (poet) scripted "Radio Scandals". They also introduced animation soundtrack songs over radio ariwaves. The voice-work they did for the popular Max Fleischer Cartoons synched with their early radio-work, and by 1933 they had a regular time-slot with NBC Radio. They continued on the airwaves until 1938, and were still popular at the Chicago Theater in Illinois, Palace Theater in NYC, and the Stanley Theater (now Benedum Center) in Pennsylvania on the same playbill as The Three Stooges. Entertainment news columnists found amusement in the name recognition.(【引用サイトリンク】title=The Pittsburgh Press - Google News Archive Search )」の詳細全文を読む
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